Read it through once

It was the custom to signalize the break-up of a term by the performance of a Drama such as Hannah More’s “Search after Happiness,” in which Mary Mitford once took the part of Cleora; or by a ballet, on which occasions “the sides of the school-room were fitted up with bowers, in which the little girls who had to dance were seated, and whence they issued at a signal from M. Duval, the dancing-master, attired as sylphs or shepherdesses, to skip or glide through the mazy movements which he had arranged for them, to the music of his kit.” Doubtless the exhibitions proper were carried out with the utmost decorum by all concerned, seeing that a critical public, consisting of fond parents, would be assembled, ready to note, and later to comment upon, any lapse in deportment or manners. It was, however, in the rehearsals that opportunities for fun occurred, and one such occasion forms the basis of the description which we now quote.