The Tragedy of King Richard the Third • Paragraph 766
Stage 1 of 6

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Dr. Mitford took the manuscript with him to London in the May of 1834, where, by the kindness of Mr. T. J. Serle—a noted playwright and actor—he was introduced to Mr. Abbott, who, having left Covent Garden Theatre and become Manager of the Victoria Theatre in the Waterloo Road, was a likely person to take up the project. Mr. Abbott immediately accepted the play and was extremely liberal in his terms—£200 to be paid down and a fourth share of the profits if the play ran for a certain number of nights. The negotiations were somewhat prolonged, but by the end of June the whole matter had been arranged and Miss Mitford went to town to superintend the rehearsals. The play was produced in July, with Mr. Cathcart in the cast and with the prologue both written and spoken by Mr. Serle. It was a great success, despite the drawbacks attendant on its production in a minor theatre on the Surrey side of the Thames. Writing to her friend Miss Jephson, the delighted author said:—“The papers will of course have told you that both I and my actor have been successful ... the thing is admirably got up, the theatre beautiful, and Cathcart’s acting refined, intellectual, powerful and commanding beyond anything I ever witnessed.... They make a real queen of me, and would certainly demolish my humility, if I were happy enough to be humble, though I feel that over-praise, over-estimation, is a far more humbling thing—a thing that sends you back on your own mind to ask, ‘Have I deserved this?’ than anything else that can be. For the first ten days I spent on an average from four to six hours every morning in the Victoria Theatre, at hard scolding, for the play has been entirely got up by me; then I dined out amongst twenty or thirty eminent strangers every evening. Since that I have been to operas and to pictures, and held a sort of drawing-room every morning; so that I am so worn out, as to have, for three days out of the last four, fainted dead away between four and five o’clock, a fine-lady trick which I never played before, and which teaches me I must return, as soon as I can, into the country, to write another play and run again the same round of fatigue, excitement and pleasure. After all, my primary object is, and has been, to establish Mr. Cathcart.”