Read it through once

and so on, th\n a’/r’ o‘/ g’ e’n xei/ressin e’/xwn-- xersi\n e’/x’ a’tre/ma, k.t.l. Moreover, while he shook it he ‘shouted enormously’, sei^s’, e’pi\ d’ au’to\s au’/se ma/la me/ga, which the statue does not. Presently when Teukros, on the other side, plies the bow, it is to/j‘on e’/xwn e’n xeiri\ pali/ntonon. Besides, by the act of discharging an arrow, the right arm and hand are thrown back as we see,--a quite gratuitous and theatrical display in the case supposed. The conjecture of Flaxman that the statue was suggested by the bronze Apollo Alexikakos of Kalamis, mentioned by Pausanias, remains probable; though the ‘hardness’ which Cicero considers to distinguish the artist’s workmanship from that of Muron is not by any means apparent in our marble copy, if it be one.--Feb. 16, 1880.”--The Poet’s Note.