The Study of Poetry • Paragraph 535
Stage 1 of 6

Read it through once

“We find,” says Professor Dowden, “a full confession of Mr. Browning’s creed with respect to art in the poem entitled ‘Old Pictures in Florence’. He sees the ghosts of the early Christian masters, whose work has never been duly appreciated, standing sadly by each mouldering Italian Fresco; and when an imagined interlocutor inquires what is admirable in such work as this, the poet answers that the glory of Christian art lies in its rejecting a limited perfection, such as that of the art of ancient Greece, the subject of which was finite, and the lesson taught by which was submission, and in its daring to be incomplete, and faulty, faulty because its subject was great with infinite fears and hopes, and because it must needs teach man not to submit but to aspire.”