The Study of Poetry • Paragraph 575
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“Robert Browning is unerring in every sentence he writes of the Middle Ages; always vital, right, and profound; so that in the matter of art, . . .there is hardly a principle connected with the mediaeval temper, that he has not struck upon in those seemingly careless and too rugged rhymes of his. There is a curious instance, by the way, in a short poem *1* referring to this very subject of tomb and image sculpture; all illustrating just one of those phases of local human character which, though belonging to Shakespeare’s own age, he {Shakespeare} never noticed, because it was specially Italian and un-English; connected also closely with the influence of mountains on the heart, and therefore with our immediate inquiries.*2* I mean the kind of admiration with which a southern artist regarded the STONE he worked in; and the pride which populace or priest took in the possession of precious mountain substance, worked into the pavements of their cathedrals, and the shafts of their tombs.