Read it through once

During the Restoration period, and later, spiritual life was at its very lowest ebb. I mean, spiritual life as exhibited in the poetic and dramatic literature of the time, whose poisoned fountain-head was the dissolute court of Charles II. All the slops of that court went into the drama, all the ‘sentina reipublicae’, the bilge water of the ship of state. The dramatic writers of the time, to use the words of St. Paul in his letter to the Ephesians, “walked in the vanity of their mind; having the understanding darkened, being alienated from the life of God through the ignorance that was in them because of the blindness of their heart; who, being past feeling, gave themselves over unto lasciviousness, to work all uncleanness with greediness.” The age, as Emerson says, had no live, distinct, actuating convictions. It was in even worse than a negative condition. As represented by its drama and poetry, it may almost be said to have repudiated the moral sentiment. A spiritual disease affected the upper classes, which continued down into the reign of the Georges. There appears to have been but little belief in the impulse which the heart imparts to the intellect, or that the latter draws greatness from the inspiration of the former. There was a time in the history of the Jews in which, it is recorded, “there was no open vision”. It can be said, emphatically, that in the time of Charles II. there was no open vision. And yet that besotted, that spiritually dark age, which was afflicted with pneumatophobia, flattered itself that there had never been an age so flooded with light. The great age of Elizabeth (which designation I would apply to the period of fifty years or more, from 1575 to 1625, or somewhat later), in which the human faculties, in their whole range, both intellectual and spiritual, reached such a degree of expansion as they had never before reached in the history of the world,-- that great age, I say, the age of Spenser, Sidney, Marlowe, Shakespeare, Bacon, Raleigh, Hooker, Ben Jonson, Beaumont, Fletcher, Chapman, Dekker, Ford, Herbert, Heywood, Massinger (and this list of great names might be continued),--that great age, I say, was regarded by the men of the Restoration period as barbarous in comparison with their own. But beneath all, still lay the restorative elements of the English character, which were to reassert themselves and usher in a new era of literary productiveness, the greatest since the Elizabethan age, and embodying the highest ideals of life to which the race has yet attained. We can account, to some extent, for this interregnum or spiritual life, but only to some extent. The brutal heartlessness and licentiousness of the court which the exiled Charles brought back with him, and the release from Puritan restraint, explain partly the state of things, or rather the degree to which the state of things was pushed.