The Art of Fiction • Paragraph 18
Stage 1 of 6

Read it through once

The general--the Philistine--view of the Profession is, first of all, that it is not one which a scholar and a man of serious views should take up: the telling of stories is inconsistent with a well-balanced mind; to be a teller of stories disqualifies one from a hearing on important subjects. At this very day there are thousands of living people who will never understand how the author of "Coningsby" and "Vivian Grey" can possibly be regarded as a serious statesman--all the Disraeli literature, even to the comic cartoons, expresses the popular sentiment that a novelist must not presume to call himself a statesman: the intellect of a novelist, it is felt--if he have any intellect at all, which is doubtful--must be one of the most frivolous and lightest kind; how can a man whose mind is always full of the loves of Corydon and Amaryllis be trusted to form an opinion on practical matters? When Thackeray ventured to contest the city of Oxford, we know what happened. He thought his failure was because the people of Oxford had never even heard of him; I think otherwise. I think it was because it was whispered from house to house, and was carried from shop to shop, and was mentioned in the vestry, that this fellow from London, who asked for their votes, was nothing but a common novelist.