Read it through once

—He is, Stephen said. The boy of act one is the mature man of act five. All in all. In _Cymbeline,_ in _Othello_ he is bawd and cuckold. He acts and is acted on. Lover of an ideal or a perversion, like José he kills the real Carmen. His unremitting intellect is the hornmad Iago ceaselessly willing that the moor in him shall suffer.